Pays de production:USA 2013
Langue:OF m. dt. UT
Durée:82 Minutes

Réalisateur:Kadlec, Shaun
 Tullmann, Deb
Caméra:Kadlec, Shaun
 Tullmann, Deb
Montage:Peterson, Josh
Musique:Jeanrenaud, Joan
Son:Branquinho, Jamie
Producteur:Kadlec, Shaun
 Tullmann, Deb


We met Steave Nemande, the founder of Alternatives Cameroun (the first LGBT center in Cameroon) at a Human Rights Watch event in Los Angeles. As we talked, he told us about a very brave group of LGBT people who congregate at Alternatives. He described how they work and play there: doing HIV/AIDS prevention and treatment, providing psychological counseling and supporting people who are rejected by their families, but also throwing amateur runway fashion shows, dance parties and soccer matches. And during all of this, exploring together what it means to be gay, lesbian, African, human—in a place where none of these things are simple. He said that he believed many people in that community were ready, for the first time, to tell their stories.
So the two of us traveled alone to Cameroon on tourist visas. We spoke
almost no French, the official language, and though we have both traveled widely, neither of us had ever been to Central Africa. We had no idea what kind of film we would end up with. We only knew that we would determine the structure and content by listening to the people who agreed to share their stories and their lives.
Relatively simple questions guided our shooting: who​ are you? What are your lives? What does it mean to be gay right now in this part of Africa?
We followed two main subjects as they went out into the world to confront their own challenges and then returned to Alternatives to regroup with their friends, to figure things out, to treat each other’s wounds and to build up their courage to go out once again.
One challenge to all of this was Cameroon’s laws. It is illegal to shoot documentary footage without government permission. We filed for a permit under the cover of doing a film on HIV/AIDS prevention, but when they said that we needed to have a government observer with us at all times, we realized that we would have to stay undercover.

We alternated operating camera and sound. We shot on a Canon HDSLR and a Panasonic HVX200. We moved around the city and country with our subjects on the crowded buses and motorcycle taxis that they use, with our cameras in backpacks, being careful not to shoot when police or official-looking people were around. We hid in plain sight, much like LGBT Cameroonians do. Living with a constant sense of danger and often fear helped us connect with our subjects on an empathetic level—though the fear and risk that they live with every day of their lives is much more serious. When we went into Alternatives Cameroun with them, almost all of the fear evaporated. It is one of the only sanctuaries where LGBT people can be who they are openly with one another. So we built Born This Way around our subjects’ movement between safety and danger. It is not an essay film. There isn’t a lot of exposition. It is a view from the inside of a secret community on the verge of transforming into a social movement. It observes the very specific details of several lives.

  • Filmstill "Born this way"
  • "Alice Nkom"